Location Location Location
After having this festival hosted at the "Rockin' A Ranch" for the first 9 years, 4Peaks moved to the other side of Bend for it's 10 year anniversary event. The Rockin' A Ranch had been receiving noise complaints from neighbors, and the festival had started to outgrow the space in Tumalo. The new location is Stevens Ranch, on the SouthEast edge of Bend. This new location is at least twice the size, making for larger camping zones for everyone.
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Carabus Camping
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This year, Boo and I carabus'd with GratefulEd and his '73 Riviera poptop, so our camping spread was a little bigger. We parked in an "L" shape, placing our sliding doors on the inside, and our driver's sides pointing at "The Junction" intersection. This really helped keep the dust down as cars and foot-traffic moved through the intersection. Between the buses, GratefulEd erected his BusDepot exclusive canopy, while Boo and I put up our 1st edition version of that canopy. 10 years later, that canopy has about had it, but it held up for the weekend. Last, we put a 10x10 canopy between them, creating a relatively large covered space, keeping us dry for the 1st half of the festival and shaded for the second half. We brought a stack of rugs, so we covered the dust with them, scattered our camping chairs, coolers and new table (See Camping Table). Midway through the festival, after the rain moved on, we put up some wind breaks in the form of tie-dyed sheets to reduce the dust from the wind as well as improve the shade. Overall, it was a very comfortable and welcoming spot.
Friends and Friends of Friends
With each passing year, we seem to find a few friends from the years before, and make a few new ones along the way. We were greeted with appetizers by our neighbor to the north before we were completely set up, for example. Our neighbors to the west were ranch owners from near the old location, and we shared food, drinks and lots of conversation over the course of 4 days. Beyond our neighbors, we had old friends and VW-curious stopping by, sharing stories, whisky and appetizers. As much as we had started coming to this festival for a few bands, increasingly we go to 4Peaks for the festers.
Radio
One big new addition to the festival experience this year was the simulcasting of the music from the main and tent stages on Saturday. Since it was the first year for the community radio station, there were some technical difficulties as they shifted from stage to stage. That's to be expected, though I'd encourage them to borrow some technical help from Portland's KBOO, since they have been live broadcasting the waterfront blues festival in Portland for 25 years. Lots of experience, and also community radio. Most of the music performed on Saturday did make it to the air, though, and I sincerely hope they not only do it again, but broadcast all 4 days.. just don't talk while performers are.
Bands
The bands this year were arguably some of the biggest names yet. While we were first attracted to this festival for Melvin Seals and the JGB, this year's festival was co-headlined by moe and RailRoad Earth with the Infamous Stringdusters, Poor Man's Whisky and Karl Denson's Tiny Universe sharing the second level billing. We were treated to Achilles Wheel, MoonAlice, Warren G Hardings on the tent stage as well as the return of the Students of String Theory on Sunday morning. I had only heard of many of these bands so getting to see them (or hear the simulcast) was a real treat.
moe - I had heard of these guys for years, and somehow never heard anything they'd done. They played for 2 hours straight, and when they laid down a groove, it was real good. Unfortunately, they subscribe to the Phish kind of thinking where if the crowd is diggin on something, change the beat, rhythm and key without warning and decimate the vibe. Over the years, I've called this "Groove Assassin" and moe had this at an award winning level. They weren't as good as their hype, unfortunately, but the festival-goers showed them the love.
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Infamous Stringdusters - Most folks from the PacNW or even the western end of the US knows of the Infamous Stringdusters. They are regulars on the festival circuit, though we hadn't seen nor heard them before and they'd hadn't been to 4Peaks at least as long as we've been going. As the last band on the main stage before RREarth, they were kind of the warm-up band for the first night finale, but they brought it, and raised the bar. I'm not usually a big fan of the banjo, and while they had banjo representation on pretty much everything, it didn't dominate like the Death-by-Banjo experience we had at NorthWest String Summit in the Summer of '15. I just realized I never posted on that. Drat. Regardless, the Stringdusters were great.
Karl Denson's Tiny Universe - At the start of the festival, a new stage schedule was released and the Universe had been moved to the main stage, shifting festival favorite Poor Man's Whisky to the tent. When I saw that, I figured there would be a revolt -OR- the Tiny Universe was just that good. Either way, we had to be there. It was so good. These guys completely stole the festival.If you haven't seen them, go. You can't help yourself from dancing once they get started. Karl was the sax player for The Rolling Stones, and he surrounds himself with young talented players. Their energy is contagious and execution fantastic. Mid-set, they brought a young guy, probably 15 or so, up on stage to sit in on one of the keyboards. Even he ripped it up. After their show, they were the only artists I saw walking the festival grounds, in the camping areas, just hanging out. I'm a huge fan and will go out of my way to see them again. I wholeheartedly encourage you to do the same.
The rest of the bands on the list above I heard bits and pieces of. MoonAlice, I've since seen on internet streams, and they sound pretty good. I regret not hearing more of them at 4Peaks. Achilles Wheel, I heard the first song. They played the tent between the Stringdusters and RR Earth, so a sacrifice for food was needed. Unfortunately, they were sacrificed. That one song sounded really good though. Rocked a bit.
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I think that's it for the festival review. It seems like it gets better every year, and unlike most festivals, 4Peaks doesn't seem to have identity problems. They are small, and like being small. They aren't trying to get bigger name acts which require more money which means more festival attendees which bring more security, etc etc etc. Instead, 4Peaks has figured out how to deliver a great festival with a few small national acts mixed in with regional bands at a price that works. As always, thanks for following along-
1.. 2.. 3.. 4Peaks!